Nowadays it’s much easier to distort the sound.ħ. One was looking for some unique sound to make the soundscape more interesting. G says the fuzzy sound is only one of the many colors on the ’60s sound palette. Sven plays a bit of it and Per finds it wonderful. Soxx and the technician pressed the wrong button, so it became a different distorted sound. Sven mentions that in 1962 Phil Spector recorded the song Zip-a-Dee-Doo-Dah with Bob B. There is a fuzz effect in it which Per finds fantastic. Sven plays a short part of Marty Robbins’ song, Don’t Worry from 1961. Sven adds it sometimes sounds like a killer bee, bzzzz and sometimes it’s crunchier when there is an amplifier. He finds it interesting why one likes fuzzboxes and distorted sounds. He says the first albums he bought when he was a little boy, contained a lot of distorted guitar sounds. Per says he chose this topic, because he has always been thinking about why we like certain sounds in music and why we don’t like others. It’s a device which distorts the sound of an electric guitar or other electric instrument. First of all, the guys explain what fuzzbox is. Last Saturday Per Gessle and Sven Lindström discussed fuzzbox songs in Gessles nio i topp on Swedish Radio.
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